Miss Harley Davidson
Medium: Bronze Aluminium Granite
Size: 56 × 45 × 13 cm | 22 × 17.7 × 5.1 in
Year: 2004
Description
Miss Harley Davidson embodies the spirit of speed, strength, and modern dynamism through a refined sculptural language. The female figure, both powerful and elegant, is captured in a moment of forward motion, her elongated form and confident posture conveying control, energy, and purpose. Equipped with helmet and gloves, she becomes a symbol of independence and fearless movement, seamlessly integrated with the machine she commands.
Executed with remarkable clarity, the composition is reduced to its essential elements. Form, rhythm, material, and color are carefully balanced, with no excess or ornamentation. This disciplined approach enhances the work’s expressive force, creating a striking harmony between abstraction and recognizability.
With its bold lines and streamlined aesthetic, Miss Harley Davidson recalls the avant-garde spirit of the early twentieth century, echoing the fascination with speed, technology, and progress that defined modernist art. The result is a work that feels both timeless and dynamic, an elegant tribute to motion, power, and contemporary form.
Additional information
| Dimensions | 56 × 45 × 13 cm |
|---|---|
| materials | Aluminium, Bronze, Granite |
| pa_certificate-of-authenticity | yes |
| Years | 2004 |
| Signature | Hand-signed by artist |
Levan Vardosanidze, born on September 10, 1957, is a highly regarded Georgian sculptor known for his intricate and elegant creations. After completing his undergraduate studies at the Tbilisi State Academy of Arts in 1981, Vardosanidze went on to pursue graduate studies at the Moscow State Academy of Arts from 1986 to 1989. Since 1992, he has been working in both Georgia and Germany, and his work has been acquired by 25 private collections around the world.
Vardosanidze has won numerous prizes for his sculptures, including the IOC Prize of Sculptures in Amsterdam in 2012 for his piece “Olympic Hymn.” His work can be found in many public spaces in Tbilisi, such as the “Nato Vachnadze Bust” in the old city.
Throughout his career, Vardosanidze has continued to push the boundaries of sculptural technique, creating works that are both technically impressive and emotionally resonant. His sculptures are a testament to his skill and dedication to his craft, and are a must-see for anyone interested in the art of sculpture.
